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Mixograph (relief engraving print) on paper
A strange pathos intersects the work’s whimsy
primitive and intuitive art – acting as a proverbial roar against the art establishment
‘The Angelus’ is a deeply evocative image
The frame is new
James Whitington 'Chair (Parisians IV)' fantastical Mixograph (relief engraving print) onJames Whitington is a master printmaker and artist. From 1977 to 2000 he worked with a range of distinguished artists including Brett Whiteley, Charles Blackman, Tim Storrier, David and Arthur Boyd. In 1989, he had his first solo exhibition of paintings and monotypes. Chair (Parisians IV) is a strangely beguiling image. It is gestural and abstract, rough to the touch yet liquid to the eye. In the dance of Whitingtons marks are infinite allusions:
