Werkschau 2020 (Martin Woodtli) historyoftypedesignlithos It’s possible we’ve not dug

It’s possible we’ve not dug as deeply as we should in order to find out who took these pics of Frederic W

Before Bradbury Thompson’s modernist art direction began in 1939

We declare that this face always reminds us of Carter Sans—until we compare and contrast and see that one has not much to do with the other

Features stunning examples of Moser’s art and skill to admire and inspire

This pop-up book full of folds appeals to one’s sense of play and imagination

Werkschau 2020 (Martin Woodtli) historyoftypedesignlithos It’s possible we’ve not dugDesigned by Martin Woodtli, the striking silkscreen poster uses a towering rocket body constructed from massive, highly distorted typography spelling WERKSCHAU (Work Show). Framed by graphic plumes of smoke, the design embodies Woodtlis signature aesthetic: defying traditional Swiss design etiquette by unconventionally merging intricate digital vector graphics, comic book illustrations, and complex, multilayered patterns. Based in Zrich, where he