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with the addition of distorted guitars and synth-laden beats
Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums)
Quincy Jones' ambition to sketch a history of black music had yet to manifest when this 28-min suite hurriedly arrived following the Roots TV mini-series
while “Witchdoctors” seems to crawl out fully formed from a miasma of feedback
With pounding drums
Brazilectro: Latin Flavoured Club Tunes Session 7 stage & screen with the addition of distortedThe Brazilectro series was a defining force in blending Brazilian rhythms with electronic beats, catering to fans of chill out, lounge, nu jazz, and deep house. Session 7, released in 2005, continues the tradition with a well curated selection of bossa nova infused electronic beats, jazzy textures, and deep grooves that flow effortlessly from start to finish. This compilation is perfect for laid back summer nights, cocktail lounges, or just vibing out
