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" Chris Cunningham's mirage-like artwork complements the album's delicate yet bold sonic landscape
But the predominant keyboards plunder other parts of the 1970s: Martian ululations from The War Of The Worlds on “Razor”
and Hit Parader magazines on the rollicking "Get in the Ring
Composed on a Yamaha Portasound PSS-480 via MIDI
demonstrating the band's continued momentum in their second decade of record-making
Turn On The Bright Lights manchester " Chris Cunningham's mirage-like artworkThe ongoing rumble of the melodic bass, dances with the sparkling guitars that fold on top of one another. Paul Banks idiosyncratic voice is informed equally by grunge and Ian Curtis. Lyrically it is melodramatic, cynical and lavish. Dark and light, slender and expansive, measured and immediate. Interpols debut record is the epitome of balance and the most captivating, brooding post punk album since Joy Division.
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