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Henning Christiansen played a final haunting melody before the instrument was dumped down in the dirt
Though much of the ‘Introduction’ that occupies the record’s first side is spacious and at times almost hushed
No artificial lights were used in the creation of this aural portrait
The natural elements highlighted by technology are a constant in Redolfi's catalog: many of his electroacoustic pieces stylize and orchestrate sound matter
Penultimate Press presents this duo's hermetic world of sound
Roy Montgomery – Last Year's Man [10"] Extreme / Noise / Free Sound Henning Christiansen played a final"My first deep exposure to Leonard Cohen was the "Bird on a Wire" documentary by Tony Palmer, which was, against the odds, broadcast on public television in New Zealand around 1974 or 1975. At age 15 or 16 I thought it was too dark. A few years later, in the late '70s, I wanted things darker. The first Cohen LP was very clever but a little too "up." The second was too public and political for me. Songs of Love and Hate seemed more honest, more about
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