Auguste Blackman 'Waiting for Beauty' warm tones signed and dated lower margin

signed and dated lower margin

Dattilo-Rubbo’s portraits transfix the viewer who is left wondering who the subject is

Staring into Le Miere's glistening crystal ball

Paper Dimensions: 100 x 70 cm

even on the cloudiest of days

Auguste Blackman 'Waiting for Beauty' warm tones signed and dated lower marginAccording to myth, the minotaur symbolises the meeting of opposites: the feminine and masculine, creature and human, rational and irrational, spiritual and instinctual, and good and evil. This duality underlies Auguste Blackmans Waiting for Beauty. In it, a dapper minotaur clutches a bouquet of flowers, his fast half cast in shadow. When discussing the work, Blackman muses: Waiting for Beauty Him or her? Waiting for Beauty is about tackling our inner