Philippe Le Miere 'Study for Arrival on a Summer's Day' Presentation:Stretched and Framed Untitled (Red Bird) forms part

Untitled (Red Bird) forms part of ‘Footprints’

choosing instead to highlight the reality of those often forgotten by the mainstream

ink and wash on Hahnemühle paper

harbour and Watsons Bay by a psychic umbilical cord

If you would like an image of the work of art framed

Philippe Le Miere 'Study for Arrival on a Summer's Day' Presentation:Stretched and Framed Untitled (Red Bird) forms partPhilippe Le Mieres 'Study for Arrival on a Summers Day' merges two iconic images from Australian art history: Charles Blackmans whimsical voyage of Alice and the White Rabbit in All on the Summers Day, and Brett Whiteleys historically charged The Arrival. Le Mieres rendition intertwines these stories, exploring themes of national identity against the backdrop of Sydneys iconic harbour. 'Study for Arrival on a Summers Day' encourages viewers to engage