Katzenstein’s electronic production calls up touchstones of skewed 80s art pop like Laurie Anderson
a direct connection to the frizzle-fried no wave of Sightings
elevating it to a place of near-iconic significance and leaving it there
self released most of his music on cassettes and CDR's
had been coveted by collectors and DJs for a number of years
Marianna Maruyama & Hessel Veldman – Salt [CS] Electroacoustic / Abstract Katzenstein’s electronic production calls up""When it travels, the voice is a double agent, a trickster, or a dubious guru, but when it pauses for a recording, it's historical, capturing a mood or an emotion for all time. I didn't expect that I would hardly recognize the people who made Salt myself and Hessel Veldman a year and a half after recording it, but this is where I find myself now, so I'll say a few words about this temporary prosopagnosia. Twelve years ago, when I moved to the