Joseph Goody: Endways, Sideways, Frontways 15 Bex Wade Archival pigment prints onto canson

Archival pigment prints onto canson fibre rag museum quality paper

Framed works are presented float mounted on white mountboard into a choice of waxed cherry or hand-finished tulipwood (available in lime wash

How the two shapes touch and relate to each other and the tension of how these forms ‘rest’ within the confines of the papers edge is always considered

ink and copper leaf

Across the softer palette of the Blush series to the contrasting darker palette in her Charcoal series

Joseph Goody: Endways, Sideways, Frontways 15 Bex Wade Archival pigment prints onto cansonJoseph Goody Acrylic on Paper H 35 x W 22 cm artwork size Framing notes: Framed works are presented float mounted in a dark brown hand stained wooden frame as standard, including specialist anti reflective glass with 70% UV protection to ensure the archival qualities and depth of colour are maintained. Alternative mouldings, frame styles and higher grades of specialist glass (92% UV protection or museum grade 99% UV protection) are available and can