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But how did an art form spawned in the train yards of 1970s New York achieve the ubiquity it now enjoys at every level of the mass-media landscape
Hers is not a performance powered by affectation and conspicuous showboating
exuberant black humour and rapid-fire
Hunter is a thought-provoking examination of a vital cognitive process
Daniel Defoe
Thrasher 249 Oct 2001 corruption But how did an artThrasher #249 (Oct 2001) is a raw early 2000s time capsule, led by Matt Fields powerful frontside nosegrind on a Japanese rail. Inside, Caswell Berry boosts a massive kickflip for the Contents spread, setting the tone for a heavy issue. The CUTS sections are scattered snapshotsshort features and oddities woven between full articles. Highlights include: SLALOM: The essence of skateboarding KIDS: Alcohol content for Molotov cocktails GONZ: No narcs
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