Grizzly Bear — Giclée on Paper Vertical this piece is one of

this piece is one of his most atmospheric and spacious compositions

The composition is formal and completely confident

one of Glen's favoured mediums for smaller wildlife studies where he wanted the texture of the paper to work with the subject's coat

That dual discipline — scientific accuracy paired with painterly sensitivity — is why his watercolours of birds carry weight other wildlife art does not

feet just leaving the water among the cattails and lily pads

Grizzly Bear — Giclée on Paper Vertical this piece is one ofA Grizzly Bear on a rocky riverbank mouth open, moving directly toward the viewer, the enormous weight of the animal expressed in every brushstroke. This painting does not soften the grizzly: it is big, it is loud, and it is coming. The hump, the dished face, the dark fur at the legs and paws against the lighter shoulder all of it is anatomically exact and compositionally fearless. Glen painted the grizzly with the same discipline he brought to his