FERGUS FEEHILY Has stock in Germany providing insight into the alternative

providing insight into the alternative history of the medium

gold foil cover featuring playwright Jeremy O

ARCHIVIO N°10 explores different forms of design

AA Bronson’s House of Shame aims to emphasize this social dimension in his work through an overview of a series of exhibitions he made between 2013 and 2018

Suksi reminds us that pleasure can be abundant

FERGUS FEEHILY Has stock in Germany providing insight into the alternativeOIL, CARPET TACKS, ACRYLIC, GESSO, GOUACHE, TWIGS, THE OCCASIONAL SPRAY PAINT, PENCIL, DABS OF WATERCOLOR, FOUND PHOTOGRAPHS, FOUND FRAMES, BANDAGES, A PAPER BAG OR TWO, SCREWS, ALUMINIUM FOIL, SWEET WRAPPERS, SCRAP WOOD. THE MARGINAL MEETS IN THE PAINTINGS OF FERGUS FEEHILY (1968, DUBLIN, IRELAND), PAINTINGS THAT THEMSELVES STAND AT THE PERIPHERY OF CONTEMPORARY PAINTERLY CONVENTIONS WHOSE SUBTLE ACTIVITY, AS MARTIN HERBERT OBSERVES, IS ON ITS WAY