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In the name of love
\" an enormous mountain lion with a none-too-friendly disposition
Lysa TerKeurst admits that she
how to look behind people's masks
performing his magic for nothing but love
Screens and Veils: Maghrebi Women's Cinema AUTH-4177338 In the name of loveExamined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of
US$ 135.00
US$ 160.00
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