Stravinsky Overdrive
Osamu Kanemura
(金村修) jumonji His voice heard through my

His voice heard through my viewfinder was my own shouting

一滴の銀色のしずくが、静けさの中で落下していく。虫の羽音のような微かなシャッター音が、スタジオを過っていった。ケイト・バリーは、意識の底に横たわる幻視のイマージュを求めて、心を削ることを厭わない写真家だった。そこには繊細な美意識が貫かれていて、瞬時に消えるドラマ性を掬い取っているようにみえたものだ。

陶器でできたような「彫刻」を追い求めて撮影をしてきた森田は、女性二人が生み出す

Anders Petersen

The second time was in 1989

Stravinsky Overdrive<br />Osamu Kanemura<br />(金村修) jumonji His voice heard through my"Stravinsky Overdrive" is the series of the photographs that I have taken for two years from 2000 in Tokyo as well as in various cities in Japan including Osaka, Hiroshima, Gumma, and Hachinohe. This series which consists of nearly 80 photographs were firstly exhibited in Helsinki in 2002. I'm not interested in the endemic memories that each city has. Rather, I prefer an extreme mess of material objects in the city just like the surface of the Jackson