K-NOW! Korean Video Art Today delete became the site of a

became the site of a moving practice

Every observation and encounter becomes an opportunity for reinterpretation and reconstruction

and other essays by Nina Schallenberg on Brancusi’s staging of his works

filmmaker Bruce LaBruce on the queer politics of topping from the bottom

just two kilometers away

K-NOW! Korean Video Art Today delete became the site of aK NOW! Korean Video Art Today Published on the occasion of the eponymous exhibition at MASI Lugano, K NOW! Korean Video Art Today invites readers to reflect on the role of video art as a tool for perception, memory, and the narration of the contemporary. Featuring essays by Francesca Benini and Je Yun Moon (curators of the exhibition), as well as Adeena May, the catalogue provides an overview of the history of video art in Korea, while also examining