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normally-inanimate objects are brought to life by Amelie von Wulffen's paint brush
in this case a Protestant one
The issue is edited by Laura Gardner
What if reproduction and production are one and the same
the artist experimented with the photographic medium and different analog printing techniques (cyanotypes
When Technology Was Female: Histories of Construction and Deconstruction, 1917-1989 delete normally-inanimate objects are brought toContinuities and ruptures between the early Soviet (c. 1917) and late state socialist (c. 1980s) periods are examined through detailed discussions of a wide range of women's artistic practices, including Liubov Popova, Varvara Stepanova, Tina Bara, Sibylle Bergemann, Vra Chytilov, Natalia LL, Dora Maurer, the Erfurt Women Artists' Group, Bla KolFov, Evelyn Richter, Zorka Sglov, and many others. Featuring over one hundred images of works ranging from
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