The Importance of Being Anachronistic; Contemporary Aboriginal Art and Museum Reparations Publisher / Verlag fur moderne Kunst Nurnberg Here you’ll find the world’s

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The Importance of Being Anachronistic; Contemporary Aboriginal Art and Museum Reparations Publisher / Verlag fur moderne Kunst Nurnberg Here you’ll find the world’sThis title focuses on the role of time in contemporary art and introduces anachrony as a method for subverting the colonial archive. It takes as its subject Trawlwoolway artist Julie Goughs The Lost World (Part 2) exhibition and intervention in the Cambridge Museum of Archaeology and Anthropology. This project is the subject of essays by Gough herself, Dacia Viejo Rose, Ellen Smith and Christoph Balzar, with photography by Mark Adams, and a foreword