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Choreographies of African Identities Jan Kohlhaase professional and personal experience

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professional and personal experience

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Choreographies of African Identities Jan Kohlhaase professional and personal experienceChoreographies of African Identities traces interconnected interpretative frameworks around and about the National Ballet of Senegal. Using the metaphor of a dancing circle Castaldi's arguments cover the full spectrum of performance, from production to circulation and reception. Castaldi first situates the reader in a North American theater, focusing on the relationship between dancers and audiences as that between black performers and white

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