Melodramatic Imperial Writing Rachel Ashworth the favorite historian of Dickens

the favorite historian of Dickens

and politics

often high-spirited

As Tungohan shows

Some reflected on their desires in quiet solitude

Melodramatic Imperial Writing Rachel Ashworth the favorite historian of DickensMelodrama is often seen as a blunt aesthetic tool tainted by its reliance on improbable situations, moral binaries, and overwhelming emotion, features that made it a likely ingredient of British imperial propaganda during the late nineteenth century. Yet, through its impact on many late Victorian genres outside of the theater, melodrama developed a complicated relationship with British imperial discourse. Melodramatic Imperial Writing positions