LES OUBLIÉES Has stock in Germany and her relatives continued to

and her relatives continued to live there until 2018

presented here in an edition that restores their dynamism and complementarity

final tour

self-expression

Laura McLean-Ferris Fiction CHUQUICAMATA Macarena Gómez-Barris Tidbits Xavier Robles de Medina by Gabriela Acha Monia Ben Hamouda by Emanuele Guidi Lenio Kaklea by Jennifer Teets Cihad Caner by Edwin Nasr Joyce Joumaa by Minh Nguyen Mila Panić by Övül Ö

LES OUBLIÉES Has stock in Germany and her relatives continued toAlmost a century later, at a time when young artists are coming back to ancient processes for contemporary expression, how can we reinterpret and extend this face to face encounter between the artist and the glass plate, its light and its material? In the same way, in an era that claims the place of women in the history of art, how can we question or shake up this so ordinary phenomenon of domination, whether it is the relationship to women of the