Picturing the Artist's Studio, from Delacroix to Picasso Beth E. Simmons responding with a collagist’s eye

responding with a collagist’s eye to music

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Picturing the Artist's Studio, from Delacroix to Picasso Beth E. Simmons responding with a collagist’s eyeThis richly diverse study examines the evolving image and contested status of the artist in late nineteenth century France through the lens of the artist's studio, which became a central theme in art and literature, stretching from Balzac to Proust and from Corot to Picasso. The studio was a hybrid space that blurred the distinctions between public and private, professional and domestic, artistic production and display. Besides a material space for