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[9] Nara period (710794) [edit] Nara-period upper-class clothing was much simpler than some later styles, taking no more than a few minutes to don, with the clothing itself allowing for freedom of movement
The waist is fitted into a satin skirt which flows freely to the floor, providing motion with every step in a graceful manner
You have to think about all of these things to make it coherent. Production designer Sarah Greenwood and set decorator Katie Spencer had a lot of conversations with Greta Gerwig about the look of the film
Both lime and lemon juice work beautifully in this dressing
This white denim shirtdress takes things further with iridescent sequins scattered all over for the kind of low-effort flex people stare at a little too long
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