bioarchaeologist Matthew Velasco argues that reducing head shape to a mere ethnic marker is a colonial invention
and which explores the methodological and epistemological ramifications of their development
from tender paintings of mother and child to erotic paintings of women to his late paintings of men near death - Turner
and the necessity of a truly cultural psychology
He also discusses the Eucharist as an object worthy of adoration
Crip Screens Keven Arseneault bioarchaeologist Matthew Velasco argues thatIn Crip Screens, Olivia Banner provides a wide ranging and ongoing history of Black, feminist of color, and crip resistance to psychiatry's incorporation of hegemonic media technologies into treatment and research. Banner shows how institutions use documentary films, data visualization, network graphs, therapy chatbots, virtual patient training programs, and pharmaceutical advertising to pathologize certain people as "deviant" and "mentally ill."