King of the Midnight Sun — Giclée on Paper water The violet was one of

The violet was one of Glen's most frequently revisited wildflower subjects — it appears as a companion in his fawn paintings

Glen observed lynx during winter fieldwork in Ontario's boreal forests

The rendering is exact: the grackle's iridescent plumage is suggested even in graphite through the careful modulation of tone

filling the upper half of the canvas

the detail is suppressed

King of the Midnight Sun — Giclée on Paper water The violet was one ofA polar bear walks the edge of the Arctic pack ice as the midnight sun hangs low on the horizon the sky layered in orange, purple, and deep blue, the ice surface catching the reflected light. This is one of Glen's most dramatic and panoramic works: the bear is in full side profile, moving with the unhurried purpose of an animal that owns its terrain, the landscape stretching unbroken to the curved horizon behind it. Executed in coloured pencil, the